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Friday, January 6, 2017

Analysis of The Story of an Hour

The Story of an Hour, by Kate Chopin is the tragic story of a woman whose newfound stupefy as a widow gives her position. She develops a sense of immunity as she embraces her husbands death as an opportunity to establish her throw identity element. The cataclysm is when her newfound identity gets stripped aside as the appearance of her husband reveals that he is still alive. The disappointment from this tragedy kills her with a heart effort symbolizing the many divergences that she face up throughout the story. The conflicts the reference work faces inwardly her self and society fork out that the social norms for women were suppressing to their strength and individuality as human beings.\nThe constitution of Josephine is there to represent her conflict against society. As the story starts up, she as Mrs. Mallard  turns to her sister Josephine and weeps in her arms after auditory sense the sudden news of her husbands death. This is her acknowledging the sorrowful ness that society expects her to feel. Her openness to Josephine represents the acceptation that came with acting in concurrence with what society expected. The passage continues, When the storm of grief had spent itself she went away to her room alone.  The fact that she does not bring Josephine with her implies the conflict that is active to take place. Josephine is the social norms, assuming that she is weak without her husband by her side. Mrs. Mallards isolation from this assumption represents that she has strength and can stand on her own. This expected strength is confirm as Chopin writes, Josephine was kneel in the lead the closed portal with her lips to the keyhole, plead for admission. Louise, open the door! I beg; open the door. You go out make yourself ill. The closed door to Josephine shows her decision to close her nonliteral door to the confinements of society. Josephines position of kneeling shows how much power this character has against society with her newfound freedom from the b...

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